Avengers Dis-A-Symbol: Predictive Programming In the Avengers Films | Marvelous DeMystifiers Ep. 13
The Marvelous DeMystifiers triumphantly return after a 6 month hiatus! Tonight we will be exploring the myriad madness of social engineering and predictive programming throughout the ultra-high budget Disney/Marvel four film series, The Avengers. Get your popcorn ready and enjoy the ride!
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In this episode
Core themes
Trauma as the Core of the Avengers
Chance Garton opened by saying that, in his view, the Avengers films are about trauma and how trauma can be leveraged to influence behavior. He walked through the main six Avengers and tied each one to a flavor of trauma and a chakra, describing Natasha's guilt and self-punishment and Steve's fear of missing out and troubled relationship with time. Gordy added that nearly every character had been brainwashed or marked by trauma in an origin story. One of the hosts wondered whether such films might rewire viewers beneficially or exploit them, and stressed symbolic literacy as psychic self-defense.
The Tesseract, Dimensions and Project Pegasus
Chance argued that the idea of higher dimensions, as the Tesseract presents it, does not hold up, saying that existence means all that exists and that time is not a fourth dimension. He called the higher mathematics behind the notion a simulation and not a description of reality. Gabe played with anagrams of the word tesseract, including react test. Chance then connected the film's Project Pegasus to the Pegasus square in astro-theology, reading the cube as an echo of the Ark, the strongbox of the flood stories, and he suggested the naming was deliberate.
Loki, Mercury and Unresolved Endings
Chance presented Loki as an evil Mercury figure and showed artwork of a Celtic god of eloquence with golden chains running from his mouth to his followers, which he read as the archetype Loki embodied when he spoke before controlling people. One of the hosts described Loki as the gamma male archetype who ends up redeemed in the Loki series. Gabe floated what he called a diablo ex machina idea, saying he saw Marvel's endless post-credit scenes as a way of denying audiences resolution, and Chance linked that to closing sacred space in his tuning ceremonies.
Banner, the Strength Card and Anger
Gabe related to Bruce Banner as a Leo and said the strength card fit him, noting the code phrase about the sun getting low and tying it to the shortening days of August. He also paired Banner with Howard Hughes as a historical persona. Chance said that, in his biofield work, holding back anger made people explosive and that expressing it in the moment tended to leave less of it over time. He described anger as a heart chakra energy and later added that anger and hate are different things.
JFK, Nescafe and the Captain America Readings
Gabe described Steve Rogers waking in a modern city and read the signs around him, including a Corona sign and a mask, as early predictive programming, and he called Steve the fool card and a stand-in for JFK. The group watched the first commercial aired after the 1963 assassination, and Chance said its repeated word new echoed later lockdown language. Gabe walked through the opening of Captain America 3, including a red book and the words present day read as president with a hidden Yod, and Gordy said Gabe had revealed how the messaging worked.
Quotes
“In fact, when you really boil it down, the Avengers movies are about trauma. Trauma is the main theme and not just trauma, but how trauma influences behavior and how trauma can be leveraged to influence behavior.”
“The key is that what makes you angry is if you try to hold back the anger. That's what makes you explosive. That's what makes you hulk out later. The bottle, the pressure in the bottle gets too much and explode.”
“And so one of the things with the crown chakra is if there is jammed up energy there, a lot of times it comes up in that form of like a bad relationship with time. And this is something I see a lot is like that the bad relationship with time is feeling like there's not enough of it and that you're not getting enough done.”
“Get everyone worried about the future. That's always been the thing, crime crisis, nuclear war, yada, yada, something bad happening in the future, right?”
“And I think, I forget how many times they say the word new in that commercial. They say the word new, over and over they just drill it in. And what did they call the lockdowns? They called it the novel coronavirus. This is the new normal. It's so profound because your fight or flight response is sensitive to novelty.”
“Yeah, every single one of them do. They all have trauma, right? I mean, every single one, they haven't gotten to where they are without some sort of traumatic event. And you notice how so many of these characters, especially Natasha and Winter Soldier, it's all mind control. It's all, they've all been brainwashed at some point in their origins story.”
“You don't kill the ego, but you need to be in control of that thing, you know, being in control of your manhood and your responsibilities and that kind of thing. And those are the lessons that you don't hear about, you know, in these kinds of stories that are real transformational stories.”
“There's a Corona bottle on one tower over one shoulder and there's a Corona virus over on another tower on the other shoulder and down below is a mask, Phantom of the Opera mask. And it's a big fat revelation. And above his head is a HBC bank, which is like Dutch India Trading Company.”
“Then the next thing they cut to, after we watch all this trigger programming being laid to bear, MK Ultra to the max, the next thing they show us is Romanoff sitting there stirring her coffee. She literally is stirring it just like in the commercial.”
“This is a flashback to the Nescafe commercial. Synonyms for present, the first one is instant. Instant is the first synonym for present. They're presenting their Yod. Guess what else present day is. You move the DA around from the present day and you get president, president with the big fat Yod.”
“And it's only five minutes later that Tony Stark, he is shown the murder of his own parents. And Tony Stark, after all of his high and mighty noble alignment to the UN agenda, he becomes the Manchurian candidate.”
“So you don't even have a sense of resolution even when the credits are rolling. Then they give you a two minute little extra clip and you're like, oh, that was fun. But then they still stay in the seat because they even seeded double extra scenes after double credit rolls.”
“Gabe is just revealing the methodology of how they've been telling us this stuff the whole time. So I don't know that there's anything I can add other than you're all being mind controlled. Everybody who is in the sound of my voice, you are a victim of mind control.”


















