clint > Richardson | Crimes of the Medical Mafia & The Corruption of Blood

The Reality researcher known as clint > Richardson returns to discuss his extensive work revealing the truth behind society's strange custom of vaccination. We also delve into his work on the origins of the COVID event, "science" vs. nature in the name of public health and safety. Throw in some simulation theory and supernatural debunking and you've got an epic show, clocking in at over 3 hours!
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In this episode
Core themes
Music as the Missing Ingredient
Before the vaccine material begins, Clint and Chance spend a long stretch on music as a way past endless talk. Clint says a good song is one that means something different to each listener, and that, in his view, much of today's music is no longer sung from experience. Chance adds that art and music can open a flow state, and that festivals pairing music with permaculture and yoga can draw in open-minded newcomers. Clint's own complaint is that his corner of the alternative world talks constantly yet seldom acts, and he argues that music carrying a sense of artistic freedom could change that.
Gathering Without Commerce
Clint pictures free gatherings on private land, powered by battery, with no tickets, no venue rental and no fancy title on the event, only information tables and music. He argues that money has no place in freedom, and that the way out of what he calls the matrix is to stop using its currency and stop playing the monopoly game. Chance points to rainbow gatherings and calls Burning Man a fake gift economy because of its ticket price, then suggests that needing festivals to simulate natural mingling is itself a symptom of our dissociation from ourselves and from nature.
Clint's Primary-Source Method
Introducing his documentaries, Clint names Lethal Injection, the Story of Vaccination, from 2011, along with the more recent Wagging the Dog on COVID-19, and says he works only from primary sources such as patents, financial reports, audits and old government films. From that material he argues that autoimmune illness and much modern disease trace back to injected animal proteins and genetic material, using vintage polio vaccine production footage as his example. These are Clint's own claims, offered as his reading of the documents, while Chance mostly asks him to explain terms and sequence.
Emergency Powers and Liability
Clint argues that the emergency-use framing for the new COVID vaccines works like a declaration of war, invoking war powers and a law of necessity under which ordinary law is suspended. He says vaccine makers are shielded from liability by a Supreme Court decision and a special court funded by taxpayers, and he cites a figure for deaths he attributes to medical care itself. Chance steers toward the old medical oath, and Clint says swapping the staff of Asclepius for the rod of Hermes inverts the profession's original meaning.
Truth Versus the Symbol
Clint says his only creed is truth, which he defines as what is self-evident or self-existent, as opposed to anything fashioned by man. A symbol, he argues, only represents truth, and mistaking the two, whether in language, art or sacred geometry, produces what he calls a simulacrum and the basis of the matrix. In the closing minutes Chance reflects on how heavy this research can be on the psyche, says he finds no greater way to connect with the Creator than creating, and offers some word magic by asking what the word patient really implies.
Quotes
“What makes a really good song, in my opinion, is one that means something different to each person who listens to it.”
“One of the best ways to feel freedom is to be in a flow state, whether it's while you're playing guitar or painting a picture or dancing in front of the stage.”
“There's no money involved in freedom. There's no credit. There's no debt. There's no commerce. It's charity. It's love. It's forgiveness.”
“In my opinion, there is no greater way to connect with the Creator, if you will, other than creating.”
“Imagine a place that's purely there for you to love one another, to experience the music, to actually be able to for just a moment exist outside of the matrix, outside of the system.”
“I only believe in truth. And truth is either self-evident or it is a fiction created by man. And you have to be able to distinguish those two things.”
“The symbols are great as long as you don't forget that the symbol is not what you should be worshiping.”

















