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Podcast / MARVELOUS DEMYSTIFIERSEPISODE 25 · Feb 20, 2024 · 2h 39m
Symbolism & Film

Breaking Orange Man Brad and the Secrets of G, in Loki S2 Ep2 | Marvelous DeMystifiers ep. 25

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Breaking Orange Man Brad and the Secrets of G, in Loki S2 Ep2 | Marvelous DeMystifiers ep. 25

The Marvelous DeMystifiers return to continue exploring the vast depth of symbolism in Marvel's Loki television series. Picking up at Season 2, episode 2, called Breaking Brad, we explore the encoding of the High Priestess and Lovers cards of the Major Arcana, the endless gematria riddles hiding in the show, more disclosure of the TVA Tavistock controlled counter-culture creation that supports the "sacred timeline" of modern society, and much more.

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Chance Garton holding a tuning fork
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Core themes

5 themes
1

Two Cards, Two Numbers: Gimel and Zayin

Garton frames the whole decode around two major Arcana cards he believes dominate this episode: the High Priestess, whose Hebrew letter gimel, spelled out gimel mem lamed, totals 73, and the Lovers, whose letter zayin, spelled out zayin yod nun, totals 67. He points out that 73 is the 21st prime while its reverse, 37, is the 12th, and ties 73 to chokmah, wisdom, and 67 to binah, understanding, the two facing sides of the Tree of Life. Gabe adds that the Thoth Priestess sits in the giver seat of the enneagram, holding Diana's bow rather than a closed scroll.

2

London 1977 as a Year of Dreams

The opening shot gives a place and a date, and a tabloid booth reading dreams, what do yours say about you, so Garton walks through 1977 in Britain: IRA bombs in the West End on January 29, a bomb factory found on February 4, the debut Clash album in April, the third G7 Downing Street summit on May 7, the May 8 convention on hostile environmental modification, the fake documentary Alternative 3, the August 13 Battle of Lewisham, Never Mind the Bollocks in October, Tolkien's Silmarillion, and the Queen's Silver Jubilee. His argument is that the nostalgia spell hides identical programming.

3

The Ark Hidden Inside the TVA

Garton's central claim is a wordplay he says he missed for a whole season. A car outside the theatre carries the plate ARK 158H, and the Hebrew word for Noah's ark, tav bet hey, transliterates as TVA once you allow that bet and vet are one letter. He values it at 407, the same as a word for arrows, and notes the Greek Septuagint form theba equals 37, carrying sanctuary and arcana. He later reads OB working inside a crescent shaped desk on salvation from temporal meltdown, and Miss Minutes' repository as an Ark of the Covenant preserving language forward.

4

Brad Wolf: Barking, Running and Blackmail

Hunter X5 returns as movie star Brad Wolf, and Garton reads him through dogs. Zaniac is possessed by a swarm that makes him kill women, which he links to the Yorkshire Ripper's most active year, 1977. Latin lupus is named for running, so Brad runs constantly; his cell number 52 is Caleb, a spy and also the Hebrew for dog; St Christopher and the Etruscan Aita wear dog and wolf heads; barque means ship. The black truck marked Miller and King becomes, in his reading, a blackmailer of kings, with Miller equalling 73 in Hebrew. Gabe reads Brad as the Emperor card.

5

Shadow Play, Temp Pads and Broken Oaths

In the final hour the punk rockers turn out to be illusions, which Garton takes as Loki, as the TVA, that is the Tavistock and the TV, manufacturing counterculture, with less is enough graffiti prefiguring you will own nothing. He reads the horned shadows as Plato's cave, noting shadow puppetry fed into cinematography, and reads temp pads as cell phones, section 42 as liber, luna and canis, and Casey's line about trackers as a wink at VPNs. Gabe likens the crowd to ants in a shaken jar and argues professors are no longer professional because the oaths are broken.

Quotes

12 quotes
“I pick a direction, like a major Arcana theme, and I just go with it and start going through the episode and find evidence to support my conclusion.”
“I got a sip of the good stuff when I started looking into cicadas and prime numbers, and I'm like, oh, I got to go back into the numerology jungle again.”
“This Downing Street summit declaration basically forms the basis for the idea of a one world economy and the leading role of the International Monetary Fund.”
“The wolf always won. German children, the wolf always won. There was no lumberjack to come and make things right at the end.”
“He pours holy oil from the ampulla vessel into the spoon and then anoints the sovereign on the hands, the breast and the head. This is the monarch as the Messiah.”
“The TVA is very much like the ark. They contain the entirety of the sacred timeline, they know the whole record of the sacred timeline. That's what ark is.”
“I just wonder how much of this is intentional and how much of this is something coming through the creative process and talking to us.”
“Loki, the leader of the TVA, the Tavistock, the TV, was the creator of the punk illusion. Punk rock, as many other pseudo counterculture movements since then have been, is a Tavistock construct.”
“Brad swinging the emperor's scepter against these shadows and illusions is the spell against the individual. He is fighting the demos, the mob.”
“No one's ever explained to me how this thing works. I've never even seen an option for me to go learn about it. These things are magic.”
“The fact that the oaths have been thrown to the wind a long time ago, that means they're not professors anymore, they're not professional anymore, because to profess is to make an oath.”
“Utopia means nowhere, it's no place. The government workers like Mobius, they are the nowhere men.”
Host of the Innerverse Podcast, biofield tuning practitioner & researcher

Chance Garton is the host and producer of the Innerverse Podcast, where for over a decade he has investigated consciousness, mythology, symbolism, terrain health, and the psychosomatic language of the human body and mind. A biofield tuning practitioner, he uses tuning forks to help clients resolve physical symptoms, break negative patterns, and return to energetic coherence.

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