Vibrational Alchemy Through The Sonic Portal with Admiral Hitzz
The Sonic Portal Architect Admiral Hitzz has been sending festie-folk and wide-eyed wooks into aetheric audio dimensions using magical gongs for many years. Tonight we'll explore the alchemy of vibration and the psychedelic spaceship that requires no intake substances to fuel its astral journeys. Returning Vibe Ranter Owen Hunt (Bootsy Greenwood) will also be in the mix!
Plus+InnerVerse Plus+
InnerVerse Plus+Hear every full episode
Every extended episode, the complete Plus+ archive, premium video and a private podcast feed for your app.
Cancel any time.

Get tuned with Chance
Tuning forks find where energy is stuck in the field around your body and bring it back into flow. Sessions over Zoom, recorded for you to keep.
30 Minute Consultations
Have something to look at, or looking for guidance? We can consult oracular tools, read your chart, or just talk through whatever you choose.
In this episode
Core themes
Comedy as a Doorway for Sound
Admiral Hitzz said he had chosen the role of spaceship pilot to avoid the expectations placed on spiritual teachers, and that the joke eventually became real. He argued that humor lowered expectations before the first note sounded, and he called the portal a non-verbal lesson in the moment. Owen Hunt said comedy kept him from toxic positivity, and the two described how they met through writing comedy. Chance Garton added that laughter was itself a coherent sound, which he linked to levity, a term he credited to Eileen Day McKusick's book.
Coherent Sound, Tuning Forks and Solfeggio
Chance Garton claimed that coherent sound added a non-harmful form of electricity to the body, and he demonstrated with a tuning fork. He described using a set of nine solfeggio forks for the mental scaffolding they gave him, while arguing that coherence and intention mattered more than any single tone. He pointed out that the tones reduced to three and that several gaps between them equaled 111. He also claimed that remote sessions worked because sound and intent travelled through ether. Admiral Hitzz described his gong sets as producing phasing similar to binaural beats.
Balance, Gratitude and Labels of Good and Bad
The Buddhist parable of the farmer who answered every turn of fortune with good luck, bad luck, who knows was retold. Admiral Hitzz argued that good and bad were labels from survival mechanisms, and said events he first judged as losses, including a business and a house, later looked like redirection toward his creative work. One speaker said that putting a desire on a pedestal pushed it away, and that gratitude could not backfire. Chance Garton tied this to biofield walls of dissonance that he claimed coherent sound could dissolve.
Water, Tea and Structured Water
The group traded ideas about water as a carrier of intention. Admiral Hitzz said he had added water and the other elements to his one to one sessions and moonlit ceremonies, and placed salt around the portal for protection. Rachel Munoz described infusing water in the sun with crystals and brewing teas aimed at particular organs. Chance Garton said Eileen Day McKusick had taught that oils or lotions on the skin increased the conductivity of tuning fork vibration. One speaker also described an experiment freezing water over an orgonite plate, claiming it formed a spiral.
Festivals, Burning Man and Planetary Timing
Admiral Hitzz said he had attended Burning Man seven times since 2013, and argued that people who created there had a better time than people who only consumed. Owen Hunt described a gathering planned for Mount Shasta next February, and Hitzz said he and Owen would bring the spaceship to Sol Festival and Summer Camp. Chance Garton promoted the Reconnection festival near St. Louis, where he would teach a sound healing workshop. Hitzz also explained that his large gong was tuned to the Platonic year of 25,920 years, and that he was experimenting with planetary days and hours, claiming no results.
Quotes
“I truly believe that your imagination is your magic and your emotions are the power behind that magic and your focus is where that magic happens.”
“That's my new thing, mentalism, the first cosmic law in the universe, and helping people realize it's your state of mind. There's literally no difference. If you think it sucks, it does. If you think it's awesome, it is. If you run with those thoughts, your thoughts are going to control you if you don't control your thoughts.”
“I'm telling you jokes, I'm making you laugh. I'm not taking myself serious, I'm taking the whole thing serious. And the more I make you laugh and the more I make you feel comfortable in this giant joke that I've created, the more I lower your expectations before that first note is played. That's where I get people. That's the sweet spot.”
“The magic of the portal isn't in the vibrations of the gongs, because I use all kinds of different combinations. It's about shutting down your mind, because your mind's running rampant with all these things all the time, and if your mind shuts down, your heart takes over, and your heart knows exactly what you need.”
“I'm just creating an environment that 99 percent of the population has never put themselves in. And like an ego in there, you think it's going to be intrusive, you think it's going to be overpowering, but it's really like being in a womb. It's like being wrapped in a blanket of the sound of creation.”
“The more you start to pry and dig deeper, start asking questions, the more you realize how much he's actually put into this thing, and it's all come from intuition, but there's layers and layers and layers because he just hasn't given up. It's like a really good joke. You've got layers to it, it's a long bit, and it comes back on itself.”
“Without comedy I think I would be toxically positive. I would be like one of those bypassers if it wasn't for comedy, because comedy forced me to acknowledge things that I could have otherwise ignored.”
“Coherent sound as a rule is actually adding electricity to your body, in a good way. When I use this tuning fork right here and I put the vibration into my body, it's actually electrifying my cells, but at a level of voltage that is non-harmful. It doesn't have that dirty electricity that so much of our devices are putting off all the time.”
“I like to play around with solfeggio tones. Those are the forks I use for my process. But just because I have a conceptualization that 396 relates to root and 963 relates to crown, and everything in between goes to the other chakras, that doesn't mean I actually need those specific forks to activate those chakras. I could do everything with a 528 or a 417.”
“I do think that belief and intention matters, like the fact that I can do remote sound healing and we're not even in the same room, or maybe we're not even on the phone, but we just intend for it to happen at this time and they program themselves to receive and I've got their consent and we do the thing.”
“Solfeggio is so fascinating because all the tones, when you do a theosophical addition on the numbers of each tone, whether it's a 174 or a 528 or 369, whatever it is, you have a three. It always reduces to three.”
“I really liked what you were saying about the water, because that is something I have harped on in terms of really going all out with healing, is making tea. I was infusing water in the sun with whatever crystal I was choosing to work with and then making tea out of that.”



















